(Does Handbrake use FFMPEG under the hood, and what do you think about FFMPEG?) I'm using those codecs because that's what they've always used for uploads to Youtube, and I'm trying to push file size because I have a pitifully slow upload speed from Verizon and I can't even pay more to get faster. This is on top of already using a lower max bitrate than the Premiere person, too. Video duration (minutes) x MBit Per Second x 60 s per minute ( 8 bits per byte x 1024 meg per gig) It’s always a bad idea to export long GOP from Resolve. DVR doesnt expose all the compression settings that Handbrake does. Going forward, I'm going to just do H.265 and not H.264, since I can cut the file size in half with the same quality and a slightly faster render time. I recommend exporting from DVR in DNxHR and then doing the h 265 compression in Handbrake. Though maybe Premiere doesn't set the bar very high. I've been delivering (from a Mac) some stuff in H.264 and H.265 for Youtube and it seems reasonable in comparison to another person who uses Premiere Pro (on an older PC I think). The encoders mentioned above can do better and with smaller file sizes. Only you can decide what's good enough, but I wouldn't deliver to h.264/5 in Resolve, for anything consequential. h.264/5 are consumer formats, and don't enjoy in Resolve the same level of support they would have in more consumer-oriented editors. Name Harvesting.John Paines wrote:The end result doesn't have anything to do with free version limitations, though you should pick up speed with the Studio version. Work samples provided by artists should speak for themselves
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